(This is Elisabetta Sirani in her Self-Portrait in 1658 at the age of twenty.)
The female artist I chose to
write on this week is Elisabetta Sirani. She lived during the 17th
century, and died at only twenty-seven. Yet by the time, she was nineteen she
worked as a painter, in her work she supported her whole family, because her
father had gout and could no longer support them. Like Lavinia Fontana, she
lived in Bologna, where she painted, and received patrons such as the Grand
Duke Cosimo III de Medici. Although we have not mentioned the Medici family much
in class, they were a very powerful banking family in Italy with many
connections to famous artists who functioned as their patrons. Before her death,
Elisabetta taught other young women to paint, including her two sisters and
more young women from the area.
As for her painting style,
Elisabetta painted in the Baroque style, using details as well as dramatic
lighting on her subjects. People would come to watch her paint, even in large
audiences because her skill and speed were both noted regularly. Scholars
estimate that she painted around 200 paintings in her short life. Three common
topics of her paintings were self-portraits, Judith with the head of Holofernes,
and the Virgin and Child. Her paintings of the Virgin and Child show the
importance of the love between Mary and the Christ-child. She presents Judith
in a powerful stance showing her strength as well as her femininity by the
choice of clothing. Finally, in her self-portraits she shows herself in women’s
dress, but also is quick to place herself with the tools of her trade.
All information came from:
http://www.nmwa.org/explore/artist-profiles/elisabetta-sirani
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